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12-13 May 2027
The Grand Hall, Olympia, London
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Introducing Post Production World Conference Europe
Post Production World Conference Europe (PPW Europe) is a two-day training programme designed for you if you work in post production, content creation, film, TV, broadcast or digital media.
Delivered by FMC and modelled on the globally recognised Post Production World events in Las Vegas and New York, PPW Europe gives you access to practical, high-level training led by experienced industry professionals.
In this session, Rich Harrington takes you end-to-end through a professional log workflow — starting with why log matters and when it earns its place on a shoot. From there, Rich walks through configuring camera settings, monitoring properly so what you see on set reflects what you're actually capturing, and managing the file transfer and offload process so nothing goes missing between the card and the edit. He then moves into post, covering how Adobe Premiere and other editing tools handle log footage and the practical decisions you'll make to get a clean starting image.
PPW Europe and AI Training ticket holders are invited to join Adobe and its partners for an exclusive networking gathering during MPTS 2026. Connect with the teams behind the latest Adobe innovations, hear the latest updates, and continue the conversation with fellow attendees in a relaxed setting.
Dive into AE’s native 3D system. Learn model animation, speed control, shadow catchers, effect applications, depth extraction, material handling and smart workarounds for current limitations.
Technologist Gary Adcock, member of the American Society of Cinematographers, will be offering insights and understanding on how the move towards generative AI in film and television production is fraught with issues of usage rights, ethical creation, and fear of the unknown.
In this deep-dive session, Rich Harrington walks through a professional color correction workflow — from getting shots back to a clean, natural baseline (neutral color, accurate exposure, consistent skin tones) to pushing the image creatively without introducing artifacts or inconsistency. You'll learn how to read scopes with confidence, use built-in shot matching and side-by-side reference tools to align exposure and color across an edit, and make corrections that stay organized and repeatable. The session covers the new Color Mode introduced in Premiere 26 alongside the familiar Lumetri Color panel, so the techniques apply whether you've upgraded or are still working in an earlier version.
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