2026 Seminar Programme

Large-scale unscripted entertainment formats like The Voice are pushing post-production workflows to their limits. With the sheer volume of content generated, maintaining oversight and control has become increasingly complex. Dozens of camera sources, multiple audio feeds, and long shooting days mean the real challenge is no longer capturing content—but processing it efficiently.

The key question is: how do you rapidly transform massive volumes of footage into editorially usable material that meets both creative and commercial demands?

Traditional post-production workflows, built around manual logging, syncing, and preparation, no longer scale. They are increasingly difficult to manage, both editorially and financially. The result is mounting pressure on teams, growing inefficiencies, and the loss of valuable creative time due to repetitive, low-value tasks, often leading to post-production budgets being exceeded.

In this session, NEP, ITV Studios, and Limecraft present an alternative approach. Developed during The Voice of Holland, the NEP Automated Live Entertainment workflow shifts key post-production processes earlier into the production chain, enabling post-production to effectively begin during the shoot.

By leveraging live logging and tagging, AI-powered search, and workflow automation, structured and pre-selected, edit-ready content becomes immediately available in the editing suite—eliminating the need to sift through vast amounts of raw footage after the fact.

Join us at MPTS London to discover how this innovative approach ensures that only high-quality, curated content reaches post-production. Through smarter workflows and close collaboration, we’re redefining efficiency and shaping the future of entertainment production.